Fixtures finally done

Well finally I have all five of the main fixtures and templates finished.  This is why it took me so long to pull the trigger on actually building a mandolin.  I have be contemplating this build for years and was always stopped by the thought of the daunting task of building the jigs, let alone the mandolin itself.  Including the bending, the fretwork, binding, inlay and finishing, that can stop most folks from even trying.  If you also factor in the tools involved to do one from scratch, these are the reasons it took me four years to actually buy the book. 

It reminds me of when I built my house.  It took 1 ½ years to finish.  At times it seemed so overwhelming.  I use to call it the largest honey-do list.  As I started the building process, I would focus on one task or one day at a time.  As the weeks grew into months, my confidence grew as well as my skills.  When I took a short rest to look backwards at my progress, the overwhelming feelings dissipated.  I am counting on this same feeling for this protect.  This is the great milestone for me on this new journey that I almost did not start.  Let the carving, bending and no mistakes begin!!

Neck gluing Fixture

This next fixture is for holding the mandolin at the proper angle when you glue the neck on.  The curved piece of maple is set at the same height and location where the bridge will go.  The holes allow for clamping the neck down.

Truss Rod Fixture

Jan 5th, 2016

To properly cut the notch down the center of the neck for the truss rod I built a jig to hold the neck at the correct angle.  I used a 1/2" piece of plywood for the base and cut the neck support and safety blocks on the band-saw.  Once attached I cut out center out to allow the fret-board to lay flat while raising the peg-head which will allow to cut a slopped slot for the truss rod.

Siminoff Joint Fixture

Jan 5th, 2016

I decided to use the Siminoff Joint for this mandolin build which requires a jig to cut the V joint at the proper angle into the head block..  His book does not explain very well on how to build one so I decided to buy the Pro plans from him.  Again, a bit frustrating that these were not included in the book.  Just charge more for the book.  I am sure I would eventually figure the jig out but I don’t have much time and would like to build a mandolin, not figure out a jig from a black and white picture from only one angle.  

The Pro plans for this jig were a bit confusing for someone who has not built a mandolin before.  I emailed Roger Siminoff and he sent some actual pictures of the underside of the jig.  There must be more than one way to build the jig since his pictures contradicted what the Pro plan said to do.  After building it, I think maybe it does not matter where you put the hinge, but if you have never built one it is quite frustrating since you only get once chance to do it right come time to cut the slot.  It does say to practice on scrap which is what I will do for sure.  One more issue I noticed, some of the dimensions are written down and some you have to measure off the plans.  It would be nice to have more detailed written down measurements.  

Part of my confusion on this particular jig is whether to put the hinge on the side of the angled block or on the top.  I have two separate pics with two different ways.  It would be nice to get some clarification for first timers who are nervous they may blow this and ruin the mandolin.  I can tell the book is written from a seasoned builder who forgot what it is like to start from a stand point of a total beginner.  With that said, I guess that’s why maybe most people don’t start out with an F style on their first build.  Then again, the book does say how to build a mandolin.  

As usual I glued the paper template from the plans and cut them out on the band saw.  This was probably the hardest jig to build out of all five that I have done.  Maybe next time I will try the dovetail joint.  It would be fun to compare the difficulty level.  For now I will make sure and test this on plenty of scrap wood.

Graduation templates

Feb 4th, 2016

Paper templates seem a bit to floppy to use in a practical way.  I am afraid they would get ruined  by the time I finished carving the back and soundboard.  I cut the out graduations from the manual and used rubber cement to glue each one to a thin 1/8” piece of scrap I had laying around.  I used a band-saw to cut each one out and then used a spindle sander attached to my drill press to sand to the line.  I labeled each one according to the manual.  I now have 20 graduation templates that should last quite awhile.

Paper templates

Sanding to size

20 Graduation Templates

Pedhead Fixture

 Jan 26th, 2016

The next jig on my list was to build the peg-head fixture.  This will insure the correct angle when cutting the peg-head.  This fixture holds the fret-board plane parallel to the table and allows all the cuts in the peg-head to be made at the right angle.  Again I made photo copies from the manual and glued them to a block of wood.  I cut all three pieces on the band-saw and sanded them to shape on the drill press with a spindle sander attached,  .  The holes are used to clamp the neck to the jig.

Finishing the Body Assembly Fixture

Feb 4th, 2016

I finished the inside spreaders for the rim assembly form.  I used the same ¾”plywood that was left over from the first part.  I used rubber cement to glue the paper template onto the plywood.  I then ban-sawed and sanded to the lines.  I drilled 1 ½“holes with a butterfly bit to mount the spreaders to each side.  

The assembly is finally ready for action.